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Why did @bvlgari Bvlgari stop chasing another record and make the Octo Finissimo 37mm instead?
@joytully Joyceline Tully, Editor-in-Chief of Revolution Asia, sits down with @jonathan.brinbaum Jonathan Brinbaum, Managing Director of Bvlgari’s Watches Division, to discuss one of the maison’s most interesting shifts in recent years.
Rather than simply shrinking the existing Octo Finissimo, Bvlgari effectively reconsidered the watch around its new proportions. At its heart is the new BVF 100 micro-rotor calibre, made significantly more compact while increasing the power reserve to 72 hours.
For Brinbaum, the 37 represents something bigger: a more mature Octo Finissimo, designed around versatility rather than another pursuit of outright thinness.
The conversation also touches on changing ideas around watch size, why titanium remains fundamental to Finissimo, and how Bvlgari sees the worlds of Roman design and Swiss watchmaking increasingly coming together.
Watch the full conversation on YouTube. Link in bio.
#Bvlgari #OctoFinissimo #OctoFinissimo37 #RevolutionWatch
@favreleuba’s Chief Tourbillon returns for its second edition, this time with a blue hand-guilloché dial. Its grain d’orge, or barleycorn, pattern radiates from the centre, cut by a craftsperson working on a rose engine lathe from the late 19th century. Each dial requires a minimum of five to six hours of work, producing a textured surface that catches the light differently as the viewing angle changes.
Power comes from the hand-wound FL T01, based on the Chronode C502 and developed in collaboration with Jean-François Mojon. It delivers a 60-hour power reserve, with a one-minute tourbillon at six o’clock. The cage’s upper bridge echoes Favre Leuba’s hourglass emblem, while a flame-blued hand indicates the small seconds.
The cushion-shaped steel case measures 41mm across and 11.45mm thick, with water resistance rated to 10 ATM. It comes on an interchangeable steel bracelet with brushed H-shaped links and polished central links, alongside an additional blue FKM rubber strap to match the dial. The Chief Tourbillon Guilloché is limited to 25 pieces.
@bvlgari’s Octo Finissimo has come of age at 37mm and now that the dust has settled from its debut at Watches and Wonders, we take a closer look.
After more than a decade of record-breaking thinness, the 37 marks a different approach for the Finissimo family with a smaller case, a new automatic calibre and a bracelet redesigned with years of customer feedback in mind. Getting there required quite a bit of work. The existing BVL 138 was too wide for the smaller case, so Bvlgari spent three years developing the BVF 100. Equipped with a platinum micro-rotor and a redesigned barrel, the new calibre delivers 72 hours of power reserve, up from its predecessor’s 60 hours. The automatic models measure 6.45mm thick, with a thicker dial opening up possibilities for different materials and finishes.
The bracelet gets its own set of refinements, including links built from multiple components, a fixed first link that closes the visible gap at the case, and release pushers on the butterfly clasp. Three automatic versions introduce the new proportions: sandblasted titanium, satin-polished titanium and satin-polished 18K yellow gold.
There’s also a limited edition minute repeater in the 37mm lineup. Housed in sandblasted titanium and measuring 6.85mm thick, it retains the hand-wound BVL 362 introduced in 2016, paired with an opaline titanium dial with cut-out indexes and numerals.
Read the full story on RevolutionWatch.com (link in bio).
@thehourglass_official has opened its latest Sydney boutique at 108 King Street. The building, designed by Harry Seidler, was completed in 1978 as part of the 25 Martin Place complex.
The boutique celebrates the original building, the city around it and the watches within. Sandstone and layered greens evoke Sydney’s geology, with terrazzo floors, carved timber, green marble and nickel detailing giving The Hour Glass’ identity a local twist.
The brands on show range from Rolex and Cartier to Akrivia, Daniel Roth, De Bethune, Krayon, Ressence and Urwerk. The boutique also houses Australia’s first dedicated MB&F space and first F.P.Journe space.
Digital screens and LED showcases built into the curved staircase present a rotating selection of independent watches. Upstairs, a salon offers plenty of seating and private spaces, while a high bar presents a further edit of independent watches for discovery. On the ground floor, a private screening room shows The Persistence of Time, a short film produced by The Hour Glass tracing the story of horology through to today’s independent artisanal watchmakers.
Read the full story on RevolutionWatch.com (link in bio).
Friday morning at @iamwatch_official comes with quite a guest list.
“GTG: The OGs” features Felix Baumgartner, Maximilian Büsser, Martin Frei, Vianney Halter, Sylvain Pinaud, Roger W. Smith, Andreas Strehler and Kari Voutilainen for an hour of watches and conversation.
The format is deliberately relaxed, with no formal agenda. It’s a chance to meet the people behind the watches, hear their stories and share a few pieces of your own. Collectors are encouraged to bring watches from their collections, so the double-wristing dress code should come in handy.
The session takes place on Friday, 13 November 2026, from 9am to 10am in the Penthouse at The Singapore EDITION. Swipe to meet the eight makers, and put this one in the diary. IAMWATCH 2026 runs from 12 to 15 November, with public days from 13 to 15 November.
@zenithwatches, one of the LVMH Group’s key watchmaking brands is reportedly facing a major strategic restructuring in the face of sustained financial losses. Swiss news outlet Le Temps reported that 50% of the jobs at the brand’s manufacturing facilities in Le Locle — around 100 staff — were at stake, as well around 100 international roles. In addition, it is possible that the brand is closing its retail operations until 2029, and dramatically cull collections. Zenith CEO Benoit de Clerck, in a statement to the Business of Fashion described the strategy as a “profound resizing”, saying that “Every watch brand in our segment is facing a severely depressed market right now.” De Clerck’s strategy proposes that Zenith will return in 2029, focused on a much higher market segment, possibly built around the high-end G.F.J. Calibre 135. In addition, Zenith has been a significant supplier of movements to other LVMH group brands. In 2024 Frédéric Arnault noted that the brand could serve as a specialist movement supplier for LVMH group brands.
Regardless of the current difficulties, Zenith’s legacy is unimpeachable. From its founding in 1865, to strong perfoemance in chronometry competitions and the birth of the El Primero in 1969, and more recently its innovation in high frequency chronographs, the brand has been a staple of watchmaking, and we look forward to the next chapter of this storied brand.
Space Traveller I and II will be exhibited side by side for the first time at @iamwatch_official.
Presented by @phillipswatches in Association with Bacs & Russo and @thehourglass_official, “George Daniels 100: The Genesis of Artisanal Watchmaking” assembles 22 Daniels watches in Singapore to mark the centenary of his birth.
Both Space Travellers display mean solar and sidereal time, with Space Traveller II adding a chronograph switchable between the two. Daniels kept the second watch as his personal timepiece until his death in 2011.
Other highlights include the Grand Complication, with its minute repeater, instantaneous perpetual calendar and co-axial tourbillon, alongside the Banbery Millennium, Unique Anniversary and Four-Minute Tourbillon wristwatches. A platinum Omega De Ville Co-Axial Limited Edition from 1999 also illustrates the wider influence of his escapement invention.
A new Phillips documentary exploring Daniels’ legacy will have its avant-première on 14 November, incorporating interviews and archival footage. After Singapore, the exhibition will travel to Phillips London in early 2027. The exhibition will be open to the public from 13 to 15 November 2026, from 11am to 8pm daily, at The Singapore EDITION.
@ressence_watches’ Type 10 DN is designed to feel like “one seamless object,” as founder Benoît Mintiens puts it. Sapphire crystal flows into a dark blue titanium case and matching rubber strap, with broad, polished lugs recalling the sporty Type 7.
Part of that impression comes down to oil. The rotating-disc display glides through an oil-filled chamber to improve legibility, while the mechanical movement runs in air. Paired discs fitted with micro-magnets transfer motion between the two sealed chambers.
This is Ressence’s first oil-filled watch powered by a proprietary calibre. The self-winding RW-04 provides a 60-hour power reserve, while the ROCS 10 display includes a second time zone, oil temperature indication and a 120-second runner that also acts as a shock absorber. The 41.5mm case is made from polished grade 5 titanium and is water-resistant to 50 metres. Limited to 100 pieces, the Type 10 DN “Dark Night” comes on an integrated rubber strap with a DLC-coated titanium buckle.
Read the full story on RevolutionWatch.com (link in bio).
Robert Pattinson’s connection with @jaegerlecoultre began long before his appointment as global ambassador. As he recalled, he borrowed his mother’s Reverso as a teenager to impress his schoolmates.
Earlier this year, he wore a then-unreleased rose gold Master Control Chronometer Perpetual Calendar to the Oscars. Announced as global ambassador in September, he now takes a central role in the Maison’s Master of Precision campaign.
The new Master Control Chronometer collection comprises three models: a date and power reserve watch powered by the new in-house Calibre 738, a perpetual calendar and a classic date iteration. An all-new three-link bracelet featuring two types of centre links is another highlight.
Each watch bears Jaeger-LeCoultre’s High Precision Guarantee, which tests performance against four variables over three days. Each HPG calibre also receives eight traditional finishing techniques, including circular graining, Côtes de Genève and polished screw heads.
“For me, the most compelling objects are the ones that have real depth to them,” Pattinson says.
Read the full story on RevolutionWatch.com (link in bio).
How did @tchalamet Timothée Chalamet find his way into the world of @urbanjurgensen Urban Jürgensen?
According to CEO @alexanderrosenfield Alex Rosenfield, it happened completely organically. A mutual friend in Los Angeles knew of Timothée’s growing interest in watches and watchmaking, and suggested that he come by to meet the team.
What was meant to be a quick 20-minute visit turned into almost two hours, as the conversation moved through Urban Jürgensen’s history, the era of Derek Pratt and Peter Baumberger, and the wider world of independent watchmaking.
@tellewellyn gets the story from Alex Rosenfield.
Watch the full conversation on YouTube. Link in bio.
@tellewellyn @urbanjurgensen
#UrbanJurgensen #TimotheeChalamet #AlexRosenfield #IndependentWatchmaking #RevolutionWatch
@cartier’s Into the Wild explores the flora and fauna behind the Maison’s creative world through jewellery, watches and savoir-faire.
Set across two heritage houses at Rochester Park, the experience pairs jewellery and watchmaking creations with tools, sketches and artisanal objects. A Cartier artisan reveals the expertise behind a Panthère de Cartier jewellery creation, while an interplay of light, reflection and sound presents jewellery and bejewelled masks inspired by the Maison’s fauna.
Scheduled leathercraft demonstrations offer a closer look at construction, dyeing and colour, while the fragrance universe explores gardenia through botanical, artistic and olfactory forms. At the Tea Salon, visitors can pause for tea amid the natural surroundings. Sounds of the Wild, a listening experience narrated by Cartier ambassador Tilda Swinton, extends the sensory journey.
Into the Wild is open to the public from 21 to 25 October 2026, from 11am to 7.30pm, at 17 Rochester Park, Singapore 139228. Slots are limited, and advance registration is mandatory. A dedicated in-boutique experience will then continue at Cartier’s ION Orchard flagship until 1 November 2026.
@renaud.tixier opens up its first creation with the Monday Skeleton. Building on the Monday introduced by Dominique Renaud and Julien Tixier in 2024, the new model brings a fully skeletonised RVI2025 calibre into view.
Its 262 components are finished and decorated by hand at the brand’s Tolochenaz workshops, with 238 inward angles. Finishes include black polishing, bevelling and circular graining, while a decorative bridge visible through the caseback combines hand engraving and chasing with grand feu enamel.
The original Monday’s patented micro-rotor winding concept remains. At the centre of the platinum micro-rotor, the “dancer” mechanism uses a flywheel coupled to a propulsion spring to harness small wrist movements and improve winding efficiency. A declutching mechanism helps protect the movement in the event of a shock.
The Monday Skeleton is housed in a 40.8mm grey gold case and comes in green or blue, each limited to 15 pieces. The colour carries across the small-seconds counter, skeletonised dauphine-style hands and rehaut, complemented by a matching hand-stitched, full-grain alligator strap.

