Revolution Watch - Celebrating the Machine with a Heartbeat

@blancpain1735 Blancpain’s new Lady B marks 70 years since the Ladybird turned miniaturization into a mechanical milestone. In this reel, @tellewellyn traces its history back to Betty Fiechter, who bought Blancpain during the Great Depression and helped transform it into an industrial force.

Fiechter joined Blancpain while still in her teens and, by the 1920s, was already managing much of its production and commercial operations. In 1933, she and André Léal bought the company and rebuilt the business — renamed Rayville — around new markets and movement production. Following Léal’s sudden death in 1939, Fiechter led Rayville alone through World War II.

Miniature calibers became one of the manufacture’s great strengths under Fiechter. That expertise culminated in the 1956 Ladybird and its 11.85mm Calibre R550, still the smallest round mechanical movement ever produced in series.

Seven decades later, the Lady B revisits the historic Ladybird Bullet with a polished 19mm case in stainless steel or 18K red gold, paired with a double-tour calfskin strap. Inside, the self-winding Calibre 615 measures just 15.7mm across and offers a 38-hour power reserve.

Read the full story on RevolutionWatch.com (link in bio).

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Open post by revolution.watch with ID 17947801824279295

@blancpain1735 Blancpain’s new Lady B marks 70 years since the Ladybird turned miniaturization into a mechanical milestone. In this reel, @tellewellyn traces its history back to Betty Fiechter, who bought Blancpain during the Great Depression and helped transform it into an industrial force.

Fiechter joined Blancpain while still in her teens and, by the 1920s, was already managing much of its production and commercial operations. In 1933, she and André Léal bought the company and rebuilt the business — renamed Rayville — around new markets and movement production. Following Léal’s sudden death in 1939, Fiechter led Rayville alone through World War II.

Miniature calibers became one of the manufacture’s great strengths under Fiechter. That expertise culminated in the 1956 Ladybird and its 11.85mm Calibre R550, still the smallest round mechanical movement ever produced in series.

Seven decades later, the Lady B revisits the historic Ladybird Bullet with a polished 19mm case in stainless steel or 18K red gold, paired with a double-tour calfskin strap. Inside, the self-winding Calibre 615 measures just 15.7mm across and offers a 38-hour power reserve.

Read the full story on RevolutionWatch.com (link in bio).

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Inside the Château de Môtiers, home of BOVET.

@wei_koh_revolution steps inside the historic château overlooking Fleurier for a journey through two centuries of BOVET watchmaking, from intricately engraved 19th-century pocket watches to some of the house’s most ambitious modern complications.

The visit traces the decorative arts and mechanical ideas that have defined BOVET since 1822, including the “Mille Fleurs” engraving tradition, the GPHG-winning Récital 22 Grand Récital, Miss Audrey and the Récital 27.

Wei also visits the watchmaking area inside the château, where final assembly and testing take place before each timepiece leaves the house.

A rare look at the history, craftsmanship and watchmaking culture behind BOVET.

Full video now on YouTube. Link in bio.

#BOVET #BOVET1822 #ChateauDeMotiers #HauteHorlogerie #IndependentWatchmaking #RevolutionWatch

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Inside the Château de Môtiers, home of BOVET.

@wei_koh_revolution steps inside the historic château overlooking Fleurier for a journey through two centuries of BOVET watchmaking, from intricately engraved 19th-century pocket watches to some of the house’s most ambitious modern complications.

The visit traces the decorative arts and mechanical ideas that have defined BOVET since 1822, including the “Mille Fleurs” engraving tradition, the GPHG-winning Récital 22 Grand Récital, Miss Audrey and the Récital 27.

Wei also visits the watchmaking area inside the château, where final assembly and testing take place before each timepiece leaves the house.

A rare look at the history, craftsmanship and watchmaking culture behind BOVET.

Full video now on YouTube. Link in bio.

#BOVET #BOVET1822 #ChateauDeMotiers #HauteHorlogerie #IndependentWatchmaking #RevolutionWatch

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@blancpain1735 is marking the 70th anniversary of the Ladybird with the Lady B, a 19mm watch inspired by the historic Ladybird Bullet and the manufacture’s long-standing expertise in miniature movements. Introduced in 1956, the original Ladybird was powered by the manually wound R55. Measuring just 11.85mm across and 3.7mm thick, it remains the smallest round mechanical movement ever produced in series.

The achievement was closely tied to Betty Fiechter, who led Blancpain through the difficult years of the Great Depression and established tiny calibers as one of the manufacture’s specialties. These movements were also supplied to American watchmakers, as well as Omega and Longines.

The new Lady B has a polished two-part case measuring 19mm across and 13.2mm thick, with a total volume of only 2.9cm³. Offered in stainless steel or 18K red gold, it features an opaline dial with applied polished gold hour markers and an integrated passage for its double-tour calf-leather strap.

Inside is the self-winding Caliber 615, which measures 15.7mm in diameter and 3.9mm thick. Comprising 180 components, it incorporates a silicon balance spring and delivers 38 hours of power reserve. The Blancpain Lady B is water-resistant to 30 meters and available with straps in a range of colors.

Read more on RevolutionWatch.com (link in bio).

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Open post by revolution.watch with ID 18622980226010701

@blancpain1735 is marking the 70th anniversary of the Ladybird with the Lady B, a 19mm watch inspired by the historic Ladybird Bullet and the manufacture’s long-standing expertise in miniature movements. Introduced in 1956, the original Ladybird was powered by the manually wound R55. Measuring just 11.85mm across and 3.7mm thick, it remains the smallest round mechanical movement ever produced in series.

The achievement was closely tied to Betty Fiechter, who led Blancpain through the difficult years of the Great Depression and established tiny calibers as one of the manufacture’s specialties. These movements were also supplied to American watchmakers, as well as Omega and Longines.

The new Lady B has a polished two-part case measuring 19mm across and 13.2mm thick, with a total volume of only 2.9cm³. Offered in stainless steel or 18K red gold, it features an opaline dial with applied polished gold hour markers and an integrated passage for its double-tour calf-leather strap.

Inside is the self-winding Caliber 615, which measures 15.7mm in diameter and 3.9mm thick. Comprising 180 components, it incorporates a silicon balance spring and delivers 38 hours of power reserve. The Blancpain Lady B is water-resistant to 30 meters and available with straps in a range of colors.

Read more on RevolutionWatch.com (link in bio).

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@serenawilliams Serena Williams and @audemarspiguet Audemars Piguet have been in each other’s orbit for more than a decade, so perhaps it was only a matter of time before that relationship resulted in a Royal Oak of her own.

The Royal Oak Selfwinding Chronograph “Serena Williams” Limited Edition is a 38mm exercise in contrasts. The familiar look of the Royal Oak is rendered in white ceramic, its sharp geometry softened by a pink-tinted mother-of-pearl dial that changes character with the light. It is a combination Williams herself describes through the ideas of strength and feminine energy, and aesthetically, the balance works rather well.

Limited to 500 pieces, the watch is delivered on the full white ceramic bracelet, though there is also a decidedly more playful pink rubber strap with white ceramic studs. Underneath all that colour sits the more serious story: Calibre 6401, Audemars Piguet’s new-generation integrated automatic chronograph movement, complete with column wheel, vertical clutch and a 55-hour power reserve. It replaces Calibre 2385, the movement that defined AP’s smaller automatic chronographs for nearly three decades.

#AudemarsPiguet #SerenaWilliams #RoyalOak #RoyalOakChronograph #AP #HauteHorlogerie #RevolutionWatch

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@serenawilliams Serena Williams and @audemarspiguet Audemars Piguet have been in each other’s orbit for more than a decade, so perhaps it was only a matter of time before that relationship resulted in a Royal Oak of her own.

The Royal Oak Selfwinding Chronograph “Serena Williams” Limited Edition is a 38mm exercise in contrasts. The familiar look of the Royal Oak is rendered in white ceramic, its sharp geometry softened by a pink-tinted mother-of-pearl dial that changes character with the light. It is a combination Williams herself describes through the ideas of strength and feminine energy, and aesthetically, the balance works rather well.

Limited to 500 pieces, the watch is delivered on the full white ceramic bracelet, though there is also a decidedly more playful pink rubber strap with white ceramic studs. Underneath all that colour sits the more serious story: Calibre 6401, Audemars Piguet’s new-generation integrated automatic chronograph movement, complete with column wheel, vertical clutch and a 55-hour power reserve. It replaces Calibre 2385, the movement that defined AP’s smaller automatic chronographs for nearly three decades.

#AudemarsPiguet #SerenaWilliams #RoyalOak #RoyalOakChronograph #AP #HauteHorlogerie #RevolutionWatch

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Watches and cars have long occupied the same enthusiast circles, linked by mechanical engineering, design and performance. @timetodrivefest will explore that connection through a three-day festival in Miami this November.

Presented by 0260, the inaugural Time to Drive Car & Watch Festival was co-founded by entrepreneur and collector @lexborrero and watch media personality @perridash. What began as intimate gatherings among enthusiasts has since expanded into international journeys, private events and now a full-scale festival.

The weekend opens on 6 November with Driver’s Seat, a separately ticketed track day at The Concours Club. The main festival follows at Mana Wynwood Convention Center on 7 and 8 November. The watch programme centres on the Collectors Club, which will host 38 brands and independent makers. Chopard, Grand Seiko, Zenith, Jacob & Co., Biver, MB&F, Greubel Forsey, Ulysse Nardin, URWERK, Arnold & Son, Armin Strom and Renaud Tixier are among those participating, alongside panels, live podcasts and the vintage-focused Luxury Exchange.

Cars receive equal billing through Icons of Stuttgart and the Festival of Champions. The line-up includes the Porsche Penske #7 Daytona-winning car, Ferrari 250 GTO, F40 and LaFerrari, the Porsche 964 Turbo seen in Bad Boys and the heavily modified Maybach 57 from JAY-Z and Kanye West’s “Otis” music video. Elsewhere, multidisciplinary artist Mark Delmont will transform a vintage Mercedes-Benz through the live Canvas Chrome project, while Assouline is expected to debut a forthcoming Porsche title.

Read the full story on RevolutionWatch.com (link in bio).

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Open post by revolution.watch with ID 18088211627230611

Watches and cars have long occupied the same enthusiast circles, linked by mechanical engineering, design and performance. @timetodrivefest will explore that connection through a three-day festival in Miami this November.

Presented by 0260, the inaugural Time to Drive Car & Watch Festival was co-founded by entrepreneur and collector @lexborrero and watch media personality @perridash. What began as intimate gatherings among enthusiasts has since expanded into international journeys, private events and now a full-scale festival.

The weekend opens on 6 November with Driver’s Seat, a separately ticketed track day at The Concours Club. The main festival follows at Mana Wynwood Convention Center on 7 and 8 November. The watch programme centres on the Collectors Club, which will host 38 brands and independent makers. Chopard, Grand Seiko, Zenith, Jacob & Co., Biver, MB&F, Greubel Forsey, Ulysse Nardin, URWERK, Arnold & Son, Armin Strom and Renaud Tixier are among those participating, alongside panels, live podcasts and the vintage-focused Luxury Exchange.

Cars receive equal billing through Icons of Stuttgart and the Festival of Champions. The line-up includes the Porsche Penske #7 Daytona-winning car, Ferrari 250 GTO, F40 and LaFerrari, the Porsche 964 Turbo seen in Bad Boys and the heavily modified Maybach 57 from JAY-Z and Kanye West’s “Otis” music video. Elsewhere, multidisciplinary artist Mark Delmont will transform a vintage Mercedes-Benz through the live Canvas Chrome project, while Assouline is expected to debut a forthcoming Porsche title.

Read the full story on RevolutionWatch.com (link in bio).

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One transforms @jeffkoons’ Balloon Dog into a watch. The other compresses the creation of the universe into 44mm of sapphire architecture. The two releases mark the American artist’s first collaboration with @hublot. Developed over almost two years, the project saw Koons work closely with the manufacture on everything from dimensions and materials to varying levels of sheen, transparency and reflection.

The Classic Fusion Balloon Dog arrives in mirror-polished steel, red anodised aluminium and blue anodised aluminium, with each version limited to 200 pieces. Hublot reshaped the 42mm watch around the sculpture’s inflated forms, adding a domed crystal, balloon-shaped crown, dog-tail projection at 10:30 and a balloon dog counterweight on the seconds hand. Even the automatic HUB1710 receives a custom rounded rotor.

The MP-14 Origin heads in a very different direction. Its octagonal sapphire-and-titanium case surrounds concentric rings of white gold, diamonds and blue sapphires, with floating cubes displaying the hours and minutes. Beneath a blue sapphire dome inspired by Koons’ Gazing Ball series sits Hublot’s first automatic central tourbillon. The new HUB9014 calibre comprises 594 components, uses a peripheral winding system and delivers a 60-hour power reserve. Completed by an integrated sapphire bracelet, the MP-14 is limited to 30 pieces.

For Koons, both watches return to the same pursuit: creating a sense of awe, wonder and connection through objects.

Read our full conversation with Jeff Koons on RevolutionWatch.com (link in bio).

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One transforms @jeffkoons’ Balloon Dog into a watch. The other compresses the creation of the universe into 44mm of sapphire architecture. The two releases mark the American artist’s first collaboration with @hublot. Developed over almost two years, the project saw Koons work closely with the manufacture on everything from dimensions and materials to varying levels of sheen, transparency and reflection.

The Classic Fusion Balloon Dog arrives in mirror-polished steel, red anodised aluminium and blue anodised aluminium, with each version limited to 200 pieces. Hublot reshaped the 42mm watch around the sculpture’s inflated forms, adding a domed crystal, balloon-shaped crown, dog-tail projection at 10:30 and a balloon dog counterweight on the seconds hand. Even the automatic HUB1710 receives a custom rounded rotor.

The MP-14 Origin heads in a very different direction. Its octagonal sapphire-and-titanium case surrounds concentric rings of white gold, diamonds and blue sapphires, with floating cubes displaying the hours and minutes. Beneath a blue sapphire dome inspired by Koons’ Gazing Ball series sits Hublot’s first automatic central tourbillon. The new HUB9014 calibre comprises 594 components, uses a peripheral winding system and delivers a 60-hour power reserve. Completed by an integrated sapphire bracelet, the MP-14 is limited to 30 pieces.

For Koons, both watches return to the same pursuit: creating a sense of awe, wonder and connection through objects.

Read our full conversation with Jeff Koons on RevolutionWatch.com (link in bio).

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The redesigned @glashuetteoriginal 70s takes the cover of our upcoming US print issue.

Previously known as the Seventies, the television-shaped watch has been extensively reworked. Its steel case now measures 39mm × 39mm × 9.6mm, with softer transitions, a lower stance on the wrist and a redesigned integrated bracelet. The new Hexagrid dial appears in three music-inspired executions: silver “Stereo Panel,” brown “Tweed Amp” and the limited black “Vinyl Record.” Inside, the automatic caliber 36-11 — or rhodium-black 36-10 for “Vinyl Record” — delivers a 100-hour power reserve and features a silicon hairspring.

In Glashütte, we joined artist and longtime collector Michael Moebius (@moebiusart) as he encountered the new watch for the first time. Having previously gravitated towards the asymmetrical Pano collection, he was quickly won over by the 70s and its balanced proportions, textured dial and integrated construction.

The watch also opened a wider conversation. Moebius and Glashütte Original CEO Roland von Keith grew up on opposite sides of a divided Germany, yet both return to the resourcefulness, problem-solving and accumulated skills that continue to shape the manufacture today.

Read the full story, “The Long Shadow of the ’70s,” in the upcoming US edition of Revolution and on RevolutionWatch.com (link in bio).

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Open post by revolution.watch with ID 18095052260109471

The redesigned @glashuetteoriginal 70s takes the cover of our upcoming US print issue.

Previously known as the Seventies, the television-shaped watch has been extensively reworked. Its steel case now measures 39mm × 39mm × 9.6mm, with softer transitions, a lower stance on the wrist and a redesigned integrated bracelet. The new Hexagrid dial appears in three music-inspired executions: silver “Stereo Panel,” brown “Tweed Amp” and the limited black “Vinyl Record.” Inside, the automatic caliber 36-11 — or rhodium-black 36-10 for “Vinyl Record” — delivers a 100-hour power reserve and features a silicon hairspring.

In Glashütte, we joined artist and longtime collector Michael Moebius (@moebiusart) as he encountered the new watch for the first time. Having previously gravitated towards the asymmetrical Pano collection, he was quickly won over by the 70s and its balanced proportions, textured dial and integrated construction.

The watch also opened a wider conversation. Moebius and Glashütte Original CEO Roland von Keith grew up on opposite sides of a divided Germany, yet both return to the resourcefulness, problem-solving and accumulated skills that continue to shape the manufacture today.

Read the full story, “The Long Shadow of the ’70s,” in the upcoming US edition of Revolution and on RevolutionWatch.com (link in bio).

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The new @rolex Perpetual Padellone marks a striking return to complicated watchmaking, bringing together ideas that have appeared across the brand’s history in very different forms. Some of those clues were obvious. Others were hiding in plain sight.

From early calendar watches to more recent technical developments, the path to the new Padellone is a fascinating one — and it may tell us something about where Rolex is heading next.

Swipe through to trace Rolex’s long relationship with calendar watches and read the full story from @wei_koh_revolution on RevolutionWatch.com (link in bio).

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Open post by revolution.watch with ID 18099557723051217

The new @rolex Perpetual Padellone marks a striking return to complicated watchmaking, bringing together ideas that have appeared across the brand’s history in very different forms. Some of those clues were obvious. Others were hiding in plain sight.

From early calendar watches to more recent technical developments, the path to the new Padellone is a fascinating one — and it may tell us something about where Rolex is heading next.

Swipe through to trace Rolex’s long relationship with calendar watches and read the full story from @wei_koh_revolution on RevolutionWatch.com (link in bio).

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A new chapter in @rolex watchmaking arrives with the Perpetual Padellone.

Named after reference 8171 — the historic complete calendar timepiece known to collectors as the “Padellone” — the new creation brings together heritage, elegance and some of Rolex’s latest technical innovations.

Housed in a refined 39 mm case measuring 12.2 mm thick, the watch displays the date, day, month and moonphase, with a blue crescent-tipped centre hand indicating the date and a blue enamelled moonphase disc featuring full and new moons crafted from meteorite.

At its heart is the new calibre 7190, beating at 5 hertz and featuring the innovative Haplos system, which allows the movement to distinguish between 30- and 31-day months. At midnight, the date, day and month change instantaneously. The movement also incorporates Rolex’s Dynapulse escapement, Syloxi hairspring and optimized Paraflex shock absorbers, while delivering approximately 66 hours of power reserve.

The Perpetual Padellone is available in 18 ct Everose gold with either a Settimo bracelet or brown alligator strap, and in 950 platinum with an ice-blue dial and black alligator strap.

Read the full story on the new Perpetual Padellone, and trace its lineage back to Rolex’s historic calendar watches, on RevolutionWatch.com (link in bio).

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Open post by revolution.watch with ID 17971756086138814

A new chapter in @rolex watchmaking arrives with the Perpetual Padellone.

Named after reference 8171 — the historic complete calendar timepiece known to collectors as the “Padellone” — the new creation brings together heritage, elegance and some of Rolex’s latest technical innovations.

Housed in a refined 39 mm case measuring 12.2 mm thick, the watch displays the date, day, month and moonphase, with a blue crescent-tipped centre hand indicating the date and a blue enamelled moonphase disc featuring full and new moons crafted from meteorite.

At its heart is the new calibre 7190, beating at 5 hertz and featuring the innovative Haplos system, which allows the movement to distinguish between 30- and 31-day months. At midnight, the date, day and month change instantaneously. The movement also incorporates Rolex’s Dynapulse escapement, Syloxi hairspring and optimized Paraflex shock absorbers, while delivering approximately 66 hours of power reserve.

The Perpetual Padellone is available in 18 ct Everose gold with either a Settimo bracelet or brown alligator strap, and in 950 platinum with an ice-blue dial and black alligator strap.

Read the full story on the new Perpetual Padellone, and trace its lineage back to Rolex’s historic calendar watches, on RevolutionWatch.com (link in bio).

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First Look at the new @rolex Rolex Perpetual Padellone.

From Milan, @wei_koh_revolution gets his first hands-on look at an entirely new Rolex family, one that looks back at the brand’s history in complicated watchmaking while pointing decisively toward its future.

The Perpetual Padellone takes inspiration from the legendary Ref. 8171 of 1949, reviving its distinctive calendar architecture with day and month apertures at 12 o’clock, a centrally mounted pointer date and moonphase at six. But this is far from a straightforward historical revival.

Inside is the new Calibre 7190, a 5Hz automatic movement incorporating Rolex’s DynaPulse escapement and the new Haplos instantaneous annual calendar, designed to execute its calendar changes with remarkable energy efficiency.

The 39mm case draws from the Perpetual 1908, while the dial combines a finely laser-engraved grained surface with a blue grand feu enamel moonphase display. Both moons are crafted from meteorite, with the new moon treated in dark blue PVD.

It is a compelling meeting of two eras of Rolex: the elegant, complicated watchmaking of its mid-century past and the technical ambition of the modern manufacture.

In our full-length video, Wei and @constant.kw explores the Perpetual Padellone in greater depth, from its historical roots to the significance of Rolex returning to this form of complicated watchmaking.

Link in bio to full video.

#Rolex #PerpetualPadellone #RolexPadellone #AnnualCalendar #Moonphase #RevolutionWatch

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Open post by revolution.watch with ID 18093865013427296

First Look at the new @rolex Rolex Perpetual Padellone.

From Milan, @wei_koh_revolution gets his first hands-on look at an entirely new Rolex family, one that looks back at the brand’s history in complicated watchmaking while pointing decisively toward its future.

The Perpetual Padellone takes inspiration from the legendary Ref. 8171 of 1949, reviving its distinctive calendar architecture with day and month apertures at 12 o’clock, a centrally mounted pointer date and moonphase at six. But this is far from a straightforward historical revival.

Inside is the new Calibre 7190, a 5Hz automatic movement incorporating Rolex’s DynaPulse escapement and the new Haplos instantaneous annual calendar, designed to execute its calendar changes with remarkable energy efficiency.

The 39mm case draws from the Perpetual 1908, while the dial combines a finely laser-engraved grained surface with a blue grand feu enamel moonphase display. Both moons are crafted from meteorite, with the new moon treated in dark blue PVD.

It is a compelling meeting of two eras of Rolex: the elegant, complicated watchmaking of its mid-century past and the technical ambition of the modern manufacture.

In our full-length video, Wei and @constant.kw explores the Perpetual Padellone in greater depth, from its historical roots to the significance of Rolex returning to this form of complicated watchmaking.

Link in bio to full video.

#Rolex #PerpetualPadellone #RolexPadellone #AnnualCalendar #Moonphase #RevolutionWatch

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Fifty years after @chopard first set diamonds free, Happy Diamonds circles back to the design that started it all.

The idea dates to 1976, when Chopard designer Ronald Kurowski saw sunlight sparkling across a waterfall in Germany’s Black Forest and set out to recreate the effect on the wrist. Each diamond was placed in its own gold bezel and allowed to spin between two sapphire crystals, creating a display that changes with every movement. The resulting cushion-shaped watch won the Golden Rose of Baden-Baden and established one of the maison’s most recognisable signatures.

For the anniversary, the new Happy Diamonds Heritage returns to the original’s compact silhouette and striking contrasts, pairing an 18K ethical yellow gold case with a polished black onyx dial. The 34mm model measures 8.53mm thick and carries 21 freely moving brilliant-cut diamonds totalling 1.05 carats.

Inside is the hand-wound Chopard 10.01-C, a compact manufacture calibre offering approximately 45 hours of power reserve. Its nickel-silver bridges and mainplate can be viewed through the sapphire caseback. A second 24mm model measures just 6.72mm thick and follows the same gold-and-onyx design with nine moving diamonds and a quartz movement.

Read the full story on RevolutionWatch.com (link in bio).

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Open post by revolution.watch with ID 18085976837277241

Fifty years after @chopard first set diamonds free, Happy Diamonds circles back to the design that started it all.

The idea dates to 1976, when Chopard designer Ronald Kurowski saw sunlight sparkling across a waterfall in Germany’s Black Forest and set out to recreate the effect on the wrist. Each diamond was placed in its own gold bezel and allowed to spin between two sapphire crystals, creating a display that changes with every movement. The resulting cushion-shaped watch won the Golden Rose of Baden-Baden and established one of the maison’s most recognisable signatures.

For the anniversary, the new Happy Diamonds Heritage returns to the original’s compact silhouette and striking contrasts, pairing an 18K ethical yellow gold case with a polished black onyx dial. The 34mm model measures 8.53mm thick and carries 21 freely moving brilliant-cut diamonds totalling 1.05 carats.

Inside is the hand-wound Chopard 10.01-C, a compact manufacture calibre offering approximately 45 hours of power reserve. Its nickel-silver bridges and mainplate can be viewed through the sapphire caseback. A second 24mm model measures just 6.72mm thick and follows the same gold-and-onyx design with nine moving diamonds and a quartz movement.

Read the full story on RevolutionWatch.com (link in bio).

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Following the rush of Geneva Watch Days, it was back to regular programming last week. @louisvuitton brought five Tambour Spin Time models into its permanent collection, including an Australian opal dial, the Antipode worldtimer and a platinum flying tourbillon. At Madring, @tagheuer trimmed the Carrera Chronograph Sport from 44mm to 42mm, adding four dial colors around the automatic TH20-00.

@jaegerlecoultre supplied the technical heavyweight: a one-off Duometre Grande Complication à Grande Sonnerie with 15 complications, roughly 1,300 components and a year-long assembly. @panerai marked 100 years of its Florence boutique with two eight-day Luminors: the 100-piece Platinumtech PAM01734 and 1,000-piece steel PAM01794.

@chronoswiss dressed its handless Neo Digiteur in Rose, Mint and Sky, each powered by the hand-wound C.85757 and limited to 99 pieces. @jacobandco went straight for spectacle, setting 54 diamonds onto the flying tourbillon’s balance wheel and 366 pastel sapphires across the 42mm white-gold pièce unique.

Which gets your vote? Read the full roundup at RevolutionWatch.com (link in bio).

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Open post by revolution.watch with ID 17945194389066394

Following the rush of Geneva Watch Days, it was back to regular programming last week. @louisvuitton brought five Tambour Spin Time models into its permanent collection, including an Australian opal dial, the Antipode worldtimer and a platinum flying tourbillon. At Madring, @tagheuer trimmed the Carrera Chronograph Sport from 44mm to 42mm, adding four dial colors around the automatic TH20-00.

@jaegerlecoultre supplied the technical heavyweight: a one-off Duometre Grande Complication à Grande Sonnerie with 15 complications, roughly 1,300 components and a year-long assembly. @panerai marked 100 years of its Florence boutique with two eight-day Luminors: the 100-piece Platinumtech PAM01734 and 1,000-piece steel PAM01794.

@chronoswiss dressed its handless Neo Digiteur in Rose, Mint and Sky, each powered by the hand-wound C.85757 and limited to 99 pieces. @jacobandco went straight for spectacle, setting 54 diamonds onto the flying tourbillon’s balance wheel and 366 pastel sapphires across the 42mm white-gold pièce unique.

Which gets your vote? Read the full roundup at RevolutionWatch.com (link in bio).

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