Following the rush of Geneva Watch Days, it was back to regular programming last week. @louisvuitton brought five Tambour Spin Time models into its permanent collection, including an Australian opal dial, the Antipode worldtimer and a platinum flying tourbillon. At Madring, @tagheuer trimmed the Carrera Chronograph Sport from 44mm to 42mm, adding four dial colors around the automatic TH20-00.

@jaegerlecoultre supplied the technical heavyweight: a one-off Duometre Grande Complication à Grande Sonnerie with 15 complications, roughly 1,300 components and a year-long assembly. @panerai marked 100 years of its Florence boutique with two eight-day Luminors: the 100-piece Platinumtech PAM01734 and 1,000-piece steel PAM01794.

@chronoswiss dressed its handless Neo Digiteur in Rose, Mint and Sky, each powered by the hand-wound C.85757 and limited to 99 pieces. @jacobandco went straight for spectacle, setting 54 diamonds onto the flying tourbillon’s balance wheel and 366 pastel sapphires across the 42mm white-gold pièce unique.

Which gets your vote? Read the full roundup at RevolutionWatch.com (link in bio). ...

Lightness is written into the name of the new @venezianico_official Redentore Levius, a mechanical dress watch weighing just 58 grams including its strap. Its new Zefiro dial carries rather more visual weight.The classically proportioned case is fashioned from Grade 5 titanium and measures 38mm across, 44.2mm lug to lug and 8.9mm thick. The case alone weighs only 12.9 grams, with brushed and polished surfaces preserving the more formal character of the Redentore line.

Across the dial, irregular guilloché lines radiate outwards in overlapping currents inspired by Zephyrus, the gentle west wind of Greek mythology. Fourth-generation artisan Linda Renzetti cuts each uninterrupted pattern on an 1850s rose engine, complemented by double-faceted alpha hands with polished and sandblasted finishes.

Power comes from the hand-wound V5000, manufactured in Italy by OISA. The calibre offers a 60-hour power reserve, is rated to ±3 seconds per day and can be viewed through the sapphire caseback, where its four bridges feature radial Côtes de Genève, polished anglage and micro-perlage.

Read the full story on RevolutionWatch.com (link in bio). ...

The masters of exuberant expression, @jacobandco Jacob & Co, mark a new chapter in their watchmaking story with the Brilliant Flying Tourbillon Baguette Pastel Arlequino. Given the sheer weight of stones on the case, dial and crown, it might take a second to spot what makes this timepiece so mechanically remarkable. For the first time in modern watchmaking, the balance wheel of the tourbillon is set with stones. A total of 54 brilliant-cut diamonds have been painstakingly set, allowing for a constant shimmer, while not interrupting the chronometric performance of the movement. But this new movement goes even further, even the rear bridges are set with stones — a total of 234 brilliant white diamonds to be specific, making this panoply of pastel stones as technically impressive as it is opulent. ...

Among @seikowatchofficial King Seiko’s modern collections, the VANAC is easily its most expressive. First introduced in 1972 and revived in 2025, the sharply faceted sports watch now expands with three lightweight titanium references and a limited steel edition celebrating Seiko’s 145th anniversary.

The regular-production HKF001, HKF002 and HKF003 retain the 41mm × 14.3mm bezel-less case of last year’s revival but weigh just 128g. Their purple, gray and black dials combine horizontal lines with a new radiating pattern inspired by Tokyo’s highways and skyline. The purple HKF001 has already picked up a major nod, earning a place among the six watches selected by the GPHG Academy for the 2026 “Challenge” category.

Alongside the titanium trio is the HKF004, an 800-piece stainless-steel edition marking 145 years since Kintaro Hattori opened the business that became Seiko in 1881. Its silver-white dial is framed by a vivid Seiko Blue index ring, with matching blue hands completing the anniversary treatment.

All four are powered by the automatic Caliber 8L45, offering a 72-hour power reserve and an accuracy rating of +10 to −5 seconds per day. Wave-patterned finishing across the oscillating weight and bridges is visible through the sapphire caseback, while the HKF004 adds a blue King Seiko shield, “Limited Edition” engraving and its individual production number.

Read more on RevolutionWatch.com (link in bio). ...

Four seasons, four unique Cosmograph Daytonas, and @rolex at its most unabashedly decorative.

Created under the Perpetual Planet Initiative, the quartet translates the changing character of the seasons into four expressive combinations of precious metals, natural stones and gemstones. The palettes move from white gold with chrysoprase, lepidolite and purple sapphires to Everose gold with turquoise, heart of ruby and pink sapphires. Yellow gold brings together mookaite, chrysoprase and green tourmalines, while platinum is matched with blue opal, lapis lazuli, diamonds and a sapphire-set bezel graduating from blue to fuchsia.

That connection to nature also shapes the purpose behind the watches. Phillips will offer them individually across four lots in London on Monday, 28 September 2026, with proceeds benefiting the Federer Foundation and Re:wild. Established by Roger Federer, the former supports early and foundational learning for children across Southern Africa and Switzerland, while the latter, co-founded by Leonardo DiCaprio, works to protect and restore wild ecosystems around the world.

Against the Daytona’s origins as a utilitarian racing chronograph, the quartet offers a striking counterpoint: four singular expressions of Rolex’s gem-setting expertise, created to turn their rarity into support for education and conservation. ...

@chronoswiss_official Chronoswiss gives its handless mechanical digital icon a new colour code.

The Neo Digiteur Pastel Code arrives in three limited editions: Rose, Mint and Sky. Each version brings a softer visual language to one of the brand’s most unconventional creations, but the concept remains anything but conventional.

The display is pure Neo Digiteur: a jumping hour at 12 o’clock, sweeping minutes in the centre and sweeping seconds at 6 o’clock. No traditional hands, no electronics, just discs, gears and mechanical energy arranged within a tailored rectangular case.

Measuring 48mm by 30mm in stainless steel, the watch is powered by the hand-wound Chronoswiss Caliber C.85757, fitted with a proprietary in-house module and offering approximately 48 hours of power reserve. The dial receives its matte, subtly lively finish through sandblasting and lacquer, giving Rose, Mint and Sky their own distinct visual temperature.

Pastel, but never soft. The Neo Digiteur remains a mechanical digital statement that refuses to blend in.

#Chronoswiss #NeoDigiteur #PastelCode #ModernMechanical #IndependentWatchmaking #RevolutionWatch ...

@panerai Panerai is celebrating 100 years at Piazza San Giovanni, one of the most important addresses in the brand’s history.

Opened in 1926 under the name Orologeria Svizzera, the Florence boutique was more than a shopfront. It was a working space where the Panerai family assembled and repaired watches, and where the brand’s horological knowledge continued to develop through its relationships with the Swiss maisons of the time.

To mark the centenary, Panerai has introduced two limited-edition watches: the Luminor Firenze 8 Giorni PAM01734 and Luminor Firenze 8 Giorni PAM01794.

Both are 44mm Luminor models powered by the hand-wound P.5000 calibre, giving them an eight-day power reserve. The PAM01794 is the stainless steel version, limited to 1,000 pieces and water resistant to 300 metres. The PAM01734 is the more exclusive Platinumtech version, limited to 100 pieces, with a green sandwich dial and 100 metres of water resistance.

Most interestingly, the Platinumtech model revives a detail from Panerai prototype history: grooves cut into the inner side of the crown-protection bridge, originally intended to make the crown easier to operate with gloved hands.

A centenary watch, then, but very much in Panerai language: Florentine history, military-derived function, and a design detail that is more useful than decorative.

#Panerai #Luminor #LuminorFirenze8Giorni #PAM01734 #PAM01794 #PaneraiFirenze #RevolutionWatch ...

At Geneva Watch Days 2026, telling the time often meant looking beyond the conventional pair of hands. Across the week, brands explored jumping hours, rotating rings, satellite indications and anti-clockwise seconds, using newly developed systems alongside fresh interpretations of familiar ideas.

@de_bethune revisited the mechanical-digital language of its earlier DBD with jumping hours, rotating minutes and a spherical moon phase. @mingwatches introduced one of the week’s more practical ideas: a worldtimer that advances only the cities observing daylight saving time with a single click. @altowatch, meanwhile, retained the ART collection’s anti-clockwise central seconds hand.

@trilobewatches’s Château Trente-Deux brought a burgundy setting to its rotating hour, minute and seconds rings, while @urwerkgeneve dressed the UR-150’s satellite hours and flyback minutes in yellow gold. @k_chaykin’s Wolf used its eyes to display the time and its fanged mouth to reveal the full-moon period. @bremontwatches completed the selection by bringing its jumping-hour display into a new 35mm Terra Nova case.

From immediately legible apertures to displays that reward a closer look, swipe through seven different approaches to reading time at Geneva Watch Days 2026. ...

Few complications ask as much from a wristwatch as a Grande Sonnerie. It must automatically sound the passing hours and quarters, manage a considerable appetite for energy and maintain accurate timekeeping throughout.

@jaegerlecoultre returns to that challenge with the Duometre Grande Complication à Grande Sonnerie, a new interpretation of Calibre 182, first introduced in 2009. The manually wound movement unites 15 complications and more than 1,300 components, requiring approximately a year and over 16,000 individual operations to assemble and regulate.

Four trébuchet hammers strike four gongs tuned to E, C, D and G, producing Westminster-style melodies. Grande Sonnerie mode marks every hour and quarter automatically, Petite Sonnerie sounds each full hour, and the minute repeater delivers the exact time on demand. The calibre also incorporates a retrograde perpetual calendar, flying tourbillon and two power-reserve displays.

For this new interpretation, longer metallic-glass gongs, refined fixing and tuning, and a titanium inner case are designed to improve the resonance, depth and clarity of the chimes. A new safeguard also prevents the minute repeater from being triggered again before the mechanism has fully reset.

The 45 mm × 16.16 mm case combines 18K pink gold with a titanium inner body, framing a more extensively openworked dark blue-grey dial. The diameter of the time-and-calendar display has increased by 30%, while the sapphire caseback reveals the flying tourbillon and the calibre’s extensive finishing. Only one example of the Duometre Grande Complication à Grande Sonnerie will be made. ...

For most of the past century, @audemarspiguet’s Grosse Pièce remained outside public view. This week, it is on display at the National Museum of Singapore.

Commissioned in 1914 and completed seven years later, the double-sided pocket watch contains 19 complications, including a one-minute tourbillon, chronograph, minute repeater, grande and petite sonnerie, perpetual calendar, equation of time and sidereal time. Its reverse dial places the latter around a blue enamel chart mapping the sky over London with 315 stars — the only known celestial chart found on an Audemars Piguet pocket watch.

The Grosse Pièce was also the work of a network of specialists from the Vallée de Joux. Archival research links Charles Piguet to its movement blank, Léon Aubert to its astronomical displays, the sons of Louis-Elisée Piguet to its grande sonnerie and Capt & Co. to its tourbillon. The First World War delayed its completion, but the watch was eventually shown at the Geneva Fair in 1920 before being delivered to London watchmaker S. Smith & Son in 1921.

A contemporary report claimed that it sold to an American collector for roughly the price of a London house. It subsequently slipped from public view and eventually entered Robert M. Olmsted’s collection, where it remained for decades.

On 8 December 2025, the Grosse Pièce reappeared at Sotheby’s New York. Audemars Piguet acquired it for US$7.736 million — more than seven times its US$1 million high estimate and the highest price Sotheby’s has achieved for an AP. It is now part of the manufacture’s Heritage Collection.

The Grosse Pièce can be seen at Audemars Piguet: Perspectives on Time, held at The Gallery Theatre, National Museum of Singapore, 93 Stamford Road, from 10 to 13 September 2026. ...

With Geneva Watch Days behind us, we’re continuing our look at some of the themes that emerged across the week’s releases. This time, the focus turns to materials and technique: how familiar metals, natural stones and more advanced materials were shaped, finished and placed at the centre of each watch.

@berneron exposed the gold architecture of its new mirrored Calibre 283, while @ferdinandberthoud paired black ceramised titanium with traditional hand-finishing. @corumwatches carried ceramic across the Admiral’s angular case and integrated bracelet, and @geraldcharles_official transformed Maillechort through hundreds of controlled hammer strikes.

@geraldgentaofficial turned to naturally patterned golden obsidian, while @louismoinet combined meteorite fragments with miniature painting and layers of luminescent material. @bellrosswatches cut its BR-X5 dial directly from Muonionalusta meteorite, and @artyawatch brought engraving, hammering, shot blasting, perlage and hand-bevelling to the Complexity Métiers d’Art. ...